Gregory Allen Page, an artist living and working on the island of Maui, in Hawaii, is setting standards for dynamic and charged movement within modern Impressionism.
Just as the original Impressionists who came of age in the late 19th Century in France, towering figures like Manet, Monet and Cezanne, Page has possesses a rare ability to convey a semblance realism and natural flow within a static frame.
Page uses his scientific understanding of light and color to direct this process. He focuses on scenes of natural life, painting everything from landscapes to well-known athletic events like the Americus Cup or the Tour de France.
He endeavors to capture the ardor, excitement, and energy of each competition in the heat of the moment, as it was occurring.
In Page’s hands, colors jump off the canvas. In this painting, sailboats are transformed into living beings:
Or in another of Page’s favorite subjects, in the bicycle race that dominates Belgium every spring, a peloton is transformed into a snake, surging down a country road.
As for historical reference points, some fans have compared Page’s landscapes to those painted by Van Gogh; others have seen a similarity in his female forms with the work of the Austrian Expressionist Egon Schiele.
Page himself sums it up nicely. “Oil painting is not photography,” he says. “The soul of the painter is in the freedom of his hand and the brush.”
For a more in-depth view of the paintings of Gregory Allen Page, see his work at https://artshopltd.com.
